the woman in blue fernand legerIn The Woman in Blue, Fernand Lger fragments the figure to the point of making it almost disappear in a tangle of geometric planes. The body is broken up into angular facets, mixed with cylindrical volumes and curved surfaces. The intense blue of the garment structures the composition in the centre, contrasting with the whites, ochres and reds that intertwine around it. Painted in the early 1910s, the work belongs to Lger's Cubist period, marked by an
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